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"Do not destroy me before my time": Iphigenia's versions and appropriations in contemporary Irish theatre

dc.contributor.authorGonzález Chacón, María del Mar 
dc.date.accessioned2024-04-23T06:38:13Z
dc.date.available2024-04-23T06:38:13Z
dc.date.issued2023
dc.identifier.citationStudi Irlandesi. A Journal of Irish Studies, 13, p. 43-58 (2023); doi:10.13128/SIJIS-2239-3978-14617
dc.identifier.urihttps://hdl.handle.net/10651/72381
dc.description.abstractIphigenia in Aulis has been adapted by Irish contemporary playwrights such as Marina Carr, Edna O’Brien or Andy Hinds. Th is article off ers an introductory analysis of the reasons behind the Irish interest towards the Greek tragedy, followed by a comparative study of the three versions mentioned. Th e identifi cation of the overarching themes will unveil the spaces for transformation: while Carr focuses on the depiction of a modern and corrupt Agamemnon and the rewriting of strong women, O’Brien adds extra plots and characters to highlight feminist voices, and Hinds eliminates, adds and relocates lines from the original play, to write a more performable version. Conclusions reveal the rewriting of the concept of sacrifi cial women, and present the three plays as relevant contributions to the reception of Euripides in Ireland.spa
dc.format.extentp. 43-58spa
dc.language.isoengspa
dc.relation.ispartofStudi Irlandesi. A Journal of Irish Studies, 13spa
dc.rights© 2023 M. del Mar González Chacón.
dc.rightsCC Reconocimiento 4.0 Internacional
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectAndy Hinds, Edna O’Brien, Irish Sacrificial Women, Iphigenia, Marina Carrspa
dc.title"Do not destroy me before my time": Iphigenia's versions and appropriations in contemporary Irish theatrespa
dc.typejournal articlespa
dc.identifier.doihttps://doi.org/10.36253/SIJIS-2239-3978-14617
dc.rights.accessRightsopen access
dc.type.hasVersionVoRspa


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© 2023 M. del Mar González Chacón.
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