dc.contributor.author | Pérez-Fernández, Irene | |
dc.contributor.author | Fresno-Calleja, Paloma | |
dc.contributor.author | García-Fernández, Aurora | |
dc.date.accessioned | 2024-02-09T11:29:39Z | |
dc.date.available | 2024-02-09T11:29:39Z | |
dc.date.issued | 2024 | |
dc.identifier.citation | Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses, p. 157-178 (2024); doi:10.14198/raei.2024.40.09 | |
dc.identifier.uri | https://hdl.handle.net/10651/71325 | |
dc.description.abstract | In the summer of 2020, on the wave of the Black Lives
Matter Movement, statues and public monuments became
focal points of political struggle, perceived by many
as symbolic reminders of pervading western imperial
legacies. Yet, the debate over public memorialisation
is far from new. Starting from the 2020 BLM protests
in Britain and going back to previous campaigns, this
article contextualises the toppling, effacing and removal
of well-known statues of colonial agents in Britain,
Australia and Aotearoa New Zealand and examines
artistic interventions which appropriate, challenge and
shatter static historical interpretations of imperial figures
and events. Our contention is that these interventions
constitute diverse forms of performative and re-storied
resistance reflecting transnational demands for redress
and reparation | spa |
dc.description.sponsorship | This publication derives from the Teaching Innovation Project: “CultivARTE: Elaboración colaborativa de materiales didácticos multimedia en el aula de literatura y cultura” financed by IRIE, UIB. Reference PID222450 | |
dc.format.extent | p. 157-178 | spa |
dc.language.iso | eng | spa |
dc.relation.ispartof | Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses | spa |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights | © 2024 Irene Pérez-Fernández, Paloma Fresno-
Calleja & Aurora García-Fernández | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Black Lives Matter, Edward Colston, James Cook, Memorialisation, Imperial Amnesia, Artistic Intervention | spa |
dc.title | Casting Stones with Intent: Transnational Interventions towards Ethical and Reparative Memorialisation | spa |
dc.type | journal article | spa |
dc.identifier.doi | 10.14198/raei.2024.40.09 | |
dc.relation.projectID | PID222450 | |
dc.relation.publisherversion | http://dx.doi.org/10.14198/raei.2024.40.09 | |
dc.rights.accessRights | open access | spa |
dc.type.hasVersion | VoR | spa |