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Re-framing the Diasporic Subject The Supernatural and the Black Female Body in Nalo Hopkinson's The Salt Roads
dc.contributor.author | Eguibar Holgado, Miasol Llarina | |
dc.date.accessioned | 2021-06-29T08:58:11Z | |
dc.date.available | 2021-06-29T08:58:11Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Canadian Literature, 240, p. 79-95 (2020) | |
dc.identifier.issn | 0008-4360 | |
dc.identifier.uri | http://hdl.handle.net/10651/59237 | |
dc.description.sponsorship | Spanish Ministry of Economy and Competitiveness (MINECO) within the R&D project "Strangers and Cosmopolitans" [RTI2o18-097186B-Ioo] | |
dc.format.extent | p. 79-95 | |
dc.language.iso | eng | |
dc.relation.ispartof | Canadian Literature | |
dc.rights | © Canadian Literature | |
dc.source | WOS:000600498800009 | |
dc.title | Re-framing the Diasporic Subject The Supernatural and the Black Female Body in Nalo Hopkinson's The Salt Roads | |
dc.type | journal article | |
dc.relation.projectID | MINECO/RTI2o18-097186B-Ioo | |
dc.relation.projectID | GRUPIN/IDI/2018/000167 | |
dc.rights.accessRights | open access | |
dc.type.hasVersion | AM |
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