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Lewis Grassic Gibbon and history: the shameless stone of sisyphus

Author:
Valdés Miyares, Julio RubénUniovi authority
Publication date:
1994
Editorial:

Universidad de Zaragoza

Citación:
Miscelánea: A journal of English and American studies, 15, p. 533-554 (1994)
Descripción física:
p. 533-554
Abstract:

This article is a cultural study of the writer James Leslie Mitchell / Lewis Grassic Gibbon in his historical context, the early 1930s in Scotland. It analyses especially his novels The Thirteenth Disciple, Spartacues and A Scots Quair, and their critique of the workings of ideology, its relation to faith in humanity, and its distortion of the radicalism necessary to change a sick world. A crucial image in his materialist approach to culture and politics bears a significant resemblance to the existentialist angst in Camus's Mythe de Sisyphe: it is the rock of creative faith that falls back on violent ideology every time a courageous Sisyphus tops a hill of History.

This article is a cultural study of the writer James Leslie Mitchell / Lewis Grassic Gibbon in his historical context, the early 1930s in Scotland. It analyses especially his novels The Thirteenth Disciple, Spartacues and A Scots Quair, and their critique of the workings of ideology, its relation to faith in humanity, and its distortion of the radicalism necessary to change a sick world. A crucial image in his materialist approach to culture and politics bears a significant resemblance to the existentialist angst in Camus's Mythe de Sisyphe: it is the rock of creative faith that falls back on violent ideology every time a courageous Sisyphus tops a hill of History.

URI:
http://hdl.handle.net/10651/27188
ISSN:
1137-6368
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