| dc.contributor.author | Murcia Nicolás, Fuensanta | |
| dc.date.accessioned | 2024-10-22T06:07:57Z | |
| dc.date.available | 2024-10-22T06:07:57Z | |
| dc.date.issued | 2024 | |
| dc.identifier.citation | Eikon Imago, 13, (2024); doi:10.5209/eiko.93074 | |
| dc.identifier.issn | 2254-8718 | |
| dc.identifier.uri | https://hdl.handle.net/10651/75270 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Eikon Imago | |
| dc.rights | ©, | |
| dc.source | WOS:001190003600012 | |
| dc.title | Medieval art at the intersection of visual and material culture. Studies in the 'semantics of vision' | |
| dc.type | journal article | |
| dc.identifier.doi | 10.5209/eiko.93074 | |
| dc.relation.publisherversion | http://dx.doi.org/10.5209/eiko.93074 | |
