Light, metal and color to create an identity: notes and hypotheses about the stained glass and the plastic arts of joaquín Vaquero Palacios for the sede social de hidroeléctrica del Cantábrico

dc.contributor.author	Meléndez Galán, Enrique
dc.date.accessioned	2024-07-11T07:32:40Z
dc.date.available	2024-07-11T07:32:40Z
dc.date.issued	2023
dc.identifier.citation	Res Mobilis, 12(17), p. 71-111 (2023); doi:10.17811/RM.12.17.2023.71-111
dc.identifier.issn	2255-2057
dc.identifier.uri	https://hdl.handle.net/10651/73549
dc.format.extent	p. 71-111
dc.language.iso	eng
dc.relation.ispartof	Res Mobilis
dc.rights	©,
dc.source	Scopus
dc.source.uri	https://www.scopus.com/inward/record.uri?eid=2-s2.0-85183694709&doi=10.17811%2fRM.12.17.2023.71-111&partnerID=40&md5=65f8ca9c83b7e5bc9156c9f790b75651
dc.title	Light, metal and color to create an identity: notes and hypotheses about the stained glass and the plastic arts of joaquín Vaquero Palacios for the sede social de hidroeléctrica del Cantábrico
dc.type	journal article
dc.identifier.doi	10.17811/RM.12.17.2023.71-111
dc.relation.publisherversion	http://dx.doi.org/10.17811/RM.12.17.2023.71-111

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