| dc.contributor.author | Meléndez Galán, Enrique | |
| dc.date.accessioned | 2024-07-11T07:32:40Z | |
| dc.date.available | 2024-07-11T07:32:40Z | |
| dc.date.issued | 2023 | |
| dc.identifier.citation | Res Mobilis, 12(17), p. 71-111 (2023); doi:10.17811/RM.12.17.2023.71-111 | |
| dc.identifier.issn | 2255-2057 | |
| dc.identifier.uri | https://hdl.handle.net/10651/73549 | |
| dc.format.extent | p. 71-111 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Res Mobilis | |
| dc.rights | ©, | |
| dc.source | Scopus | |
| dc.source.uri | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85183694709&doi=10.17811%2fRM.12.17.2023.71-111&partnerID=40&md5=65f8ca9c83b7e5bc9156c9f790b75651 | |
| dc.title | Light, metal and color to create an identity: notes and hypotheses about the stained glass and the plastic arts of joaquín Vaquero Palacios for the sede social de hidroeléctrica del Cantábrico | |
| dc.type | journal article | |
| dc.identifier.doi | 10.17811/RM.12.17.2023.71-111 | |
| dc.relation.publisherversion | http://dx.doi.org/10.17811/RM.12.17.2023.71-111 | |
