dc.contributor.author | Cureses de la Vega, Marta | |
dc.date.accessioned | 2024-03-21T10:11:27Z | |
dc.date.available | 2024-03-21T10:11:27Z | |
dc.date.issued | 2023 | |
dc.identifier.citation | Música oral del Sur, 20 (2023); doi: 10.5281/zenodo.10580217 | |
dc.identifier.issn | 1138-8579 | |
dc.identifier.uri | https://hdl.handle.net/10651/72032 | |
dc.description.abstract | A selection of historic and literary texts give rise to Mixtitlan, a Nahua word meaning
«between clouds», a work by the composer Carlos Cruz de Castro where the first meeting
of Hernán Cortés and Moctezuma and the ceremonies in his honour are narrated, confusing
the conqueror’s arrival with that of Quetzalcoatl. Typical in those rituals is the «guerra
florida», a human sacrifice collected in the XVIth century codices, and also the structural
axis, in time and space, of Julio Cortázar’s tale The Night Face-Up. The fantastic nature of
the so-called prehispanic relaciones reveals here their presence beyond the historic and
literary context in a cognitive process overlapping reality and fantasy translated into sound
speech. | spa |
dc.language.iso | spa | spa |
dc.publisher | Centro de Documentación Musical de Andalucía | spa |
dc.relation.ispartof | Revista Internacional Música Oral del Sur | spa |
dc.rights | CC Reconocimiento 4.0 Internacional | |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
dc.subject | Prehispanic literature | spa |
dc.subject | Music | |
dc.subject | Carlos Cruz de Castro | |
dc.subject | Julio Cortázar | |
dc.title | Proceso cognitivo del lenguaje fantástico prehispánico y su interpretación en el origen de Mixtitlan | spa |
dc.type | journal article | spa |
dc.identifier.doi | 10.5281/zenodo.10580217 | |
dc.rights.accessRights | open acess | |
dc.type.hasVersion | VoR | spa |