| dc.contributor.author | Viñuela Suárez, Eduardo | |
| dc.date.accessioned | 2023-03-02T09:29:18Z | |
| dc.date.available | 2023-03-02T09:29:18Z | |
| dc.date.issued | 2022 | |
| dc.identifier.citation | Contemporary music review, 41(4), p. 445-458 (2022); doi:10.1080/07494467.2022.2087393 | |
| dc.identifier.issn | 0749-4467 | |
| dc.identifier.uri | http://hdl.handle.net/10651/66574 | |
| dc.format.extent | p. 445-458 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Contemporary music review | |
| dc.rights | © 2022 Informa UK Limited, trading as Taylor & Francis Group | |
| dc.source | Scopus | |
| dc.source.uri | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85133486940&doi=10.1080%2f07494467.2022.2087393&partnerID=40&md5=a23ca1ae33d3d03394352ba3cecad7ff | |
| dc.title | ‘What's so funny?’: videomemes and the circulation of contemporary music in social media | |
| dc.type | journal article | |
| dc.identifier.doi | 10.1080/07494467.2022.2087393 | |
| dc.relation.publisherversion | http://dx.doi.org/10.1080/07494467.2022.2087393 | |
