dc.contributor.author | Zampronha, Edson | |
dc.date.accessioned | 2022-03-09T11:56:09Z | |
dc.date.available | 2022-03-09T11:56:09Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Trans: Transcultural Music Review, 16 (2012) | |
dc.identifier.issn | 1697-0101 | |
dc.identifier.uri | http://hdl.handle.net/10651/62076 | |
dc.language.iso | spa | spa |
dc.relation.ispartof | Trans: Transcultural Music Review, 16 | spa |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights | © TRANS- Revista Transcultural de Música/Transcultural Music Review 2012 | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Julio Ogas: La música para Piano en Argentina (1929-1983). Mitos, tradiciones y modernidades | spa |
dc.type | journal article | spa |
dc.rights.accessRights | open access | spa |
dc.type.hasVersion | VoR | |