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"How emotions were used as strategies of power and shaped language in the Plays and Memoirs of Margaret Cavendish"

dc.contributor.authorÁlvarez Faedo, María José 
dc.date.accessioned2021-06-14T12:42:06Z
dc.date.available2021-06-14T12:42:06Z
dc.date.issued2020
dc.identifier.citationÁlvarez Faedo, M. J. (2020). "How emotions were used as strategies of power and shaped language in the Plays and Memoirs of Margaret Cavendish". En L. Martínez García y M. J. Álvarez Faedo (Eds.), (Re)defining gender in early modern English drama : power, sexualities and ideologies in text and performance (pp. 73-91). Bern: Peter Lang.
dc.identifier.issn9783034342520
dc.identifier.urihttp://hdl.handle.net/10651/59048
dc.format.extentp. 73-91spa
dc.language.isoengspa
dc.publisherPeter Langspa
dc.relation.ispartof(Re)defining gender in early modern English drama : power, sexualities and ideologies in text and performancespa
dc.relation.ispartofseriesCritical perspectives on English and American literature, communication and culture;25
dc.title"How emotions were used as strategies of power and shaped language in the Plays and Memoirs of Margaret Cavendish"spa
dc.typeinfo:eu-repo/semantics/bookPartspa
dc.type.dcmitextspa


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