Scottish Transnational Discourse of the Great War: A Genealogy of Eric Bogle’s “And the Band Played Waltzing Matilda” and Hugh MacDiarmid’s “At the Cenotaph”

dc.contributor.author	Valdés Miyares, Julio Rubén
dc.date.accessioned	2019-08-21T07:33:48Z
dc.date.available	2019-08-21T07:33:48Z
dc.date.issued	2018
dc.identifier.citation	Cultural Studies - Critical Methodologies (2018); doi:10.1177/1532708618819640
dc.identifier.issn	1532-7086
dc.identifier.uri	http://hdl.handle.net/10651/52096
dc.language.iso	eng
dc.relation.ispartof	Cultural Studies - Critical Methodologies
dc.rights	©,
dc.source	Scopus
dc.source.uri	https://www.scopus.com/inward/record.uri?eid=2-s2.0-85059348256&doi=10.1177%2f1532708618819640&partnerID=40&md5=ce7d37fd6549f48f239ce72da10d4954
dc.title	Scottish Transnational Discourse of the Great War: A Genealogy of Eric Bogle’s “And the Band Played Waltzing Matilda” and Hugh MacDiarmid’s “At the Cenotaph”
dc.type	journal article
dc.identifier.doi	10.1177/1532708618819640
dc.relation.publisherversion	http://dx.doi.org/10.1177/1532708618819640

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