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Building alterities: the representation of captive population on trophies in the city of Rome

Author:
Rubiera Cancelas, CarlaUniovi authority
Subject:

Historia

Esclavitud

Género

Roma

Alteridades

Iconografía

Publication date:
2013
Citación:
Sardinia, Corsica et Baleares antiquae: International Journal of Archaeology, 11, p. 107-120 (2013)
Descripción física:
p. 107-120
Abstract:

Roman society used iconography to convey messages which responded to an ideology and to the legitimation of certain practices. In this line, the representation of trophies, whether in public architecture or in private productions, has the aim of reflecting Roman grandiosity. Nevertheless, those visual productions, that mainly since the imperial age include captive population, are also a testimony of the creation of difference, testimony of that other he or other she who, not being part society, must 'integrate' in it, although as an inferior and subordinated being. Of course, otherness is also created through discourses discernible in the literature, which are generated around the different populations and communities that eventually falling under Roman rule.

Roman society used iconography to convey messages which responded to an ideology and to the legitimation of certain practices. In this line, the representation of trophies, whether in public architecture or in private productions, has the aim of reflecting Roman grandiosity. Nevertheless, those visual productions, that mainly since the imperial age include captive population, are also a testimony of the creation of difference, testimony of that other he or other she who, not being part society, must 'integrate' in it, although as an inferior and subordinated being. Of course, otherness is also created through discourses discernible in the literature, which are generated around the different populations and communities that eventually falling under Roman rule.

URI:
http://hdl.handle.net/10651/46935
ISSN:
1824-3568
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