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Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004)
dc.contributor.author | Pérez Ríu, Carmen | |
dc.date.accessioned | 2018-02-28T10:40:59Z | |
dc.date.available | 2018-02-28T10:40:59Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | European Journal of English Studies, 21(3), p. 304-318 (2017); doi:10.1080/13825577.2017.1369265 | |
dc.identifier.issn | 1382-5577 | |
dc.identifier.uri | http://hdl.handle.net/10651/46111 | |
dc.format.extent | p. 304-318 | |
dc.language.iso | eng | |
dc.relation.ispartof | European Journal of English Studies | |
dc.rights | ©, | |
dc.source | Scopus | |
dc.source.uri | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85034635557&doi=10.1080%2f13825577.2017.1369265&partnerID=40&md5=04cb28d213e3146a10362612af227f24 | |
dc.title | Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004) | |
dc.type | journal article | |
dc.identifier.doi | 10.1080/13825577.2017.1369265 | |
dc.relation.publisherversion | http://dx.doi.org/10.1080/13825577.2017.1369265 |
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