Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004)

dc.contributor.author	Pérez Ríu, Carmen
dc.date.accessioned	2018-02-28T10:40:59Z
dc.date.available	2018-02-28T10:40:59Z
dc.date.issued	2017
dc.identifier.citation	European Journal of English Studies, 21(3), p. 304-318 (2017); doi:10.1080/13825577.2017.1369265
dc.identifier.issn	1382-5577
dc.identifier.uri	http://hdl.handle.net/10651/46111
dc.format.extent	p. 304-318
dc.language.iso	eng
dc.relation.ispartof	European Journal of English Studies
dc.rights	©,
dc.source	Scopus
dc.source.uri	https://www.scopus.com/inward/record.uri?eid=2-s2.0-85034635557&doi=10.1080%2f13825577.2017.1369265&partnerID=40&md5=04cb28d213e3146a10362612af227f24
dc.title	Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004)
dc.type	journal article
dc.identifier.doi	10.1080/13825577.2017.1369265
dc.relation.publisherversion	http://dx.doi.org/10.1080/13825577.2017.1369265

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