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Using performer's gestures as the main axis for music composition: three examples
| dc.contributor.author | Zampronha, Edson | |
| dc.date.accessioned | 2017-06-29T09:13:10Z | |
| dc.date.available | 2017-06-29T09:13:10Z | |
| dc.date.issued | 2016 | |
| dc.identifier.isbn | 978-619-7105-53-7 | |
| dc.identifier.issn | 2367-5659 | |
| dc.identifier.uri | http://hdl.handle.net/10651/43187 | |
| dc.description | International Multidisciplinary Scientific Conference on Social Sciences and Arts, SGEM 2016 (3rd. 2016. Vienna, Austria) | |
| dc.format.extent | p. 415-421 | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Sgem 2016, Bk 4: Arts, Performing Arts, Architecture And Design Conference Proceedings, Vol I | |
| dc.rights | ©, | |
| dc.source | WOS:000395727500053 | |
| dc.title | Using performer's gestures as the main axis for music composition: three examples | |
| dc.type | conference output | spa |
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